The History of
the Peter Behrens Piano

In 1899 Peter Behrens was invited to design and build his own house on land he bought from Ernst Ludwig, Grand Duke of Hesse and the Rhine. The Grand Duke, an important benefactor of the arts, supplied land to seven artists, Peter Behrens, Joseph Maria Olbrich, Patriz Huber, Rudolf Bosselt, Hans Christiansen, Paul Bürck and Ludwig Habich so that each one would be able to build a contemporary house. The Artist Colony of Darmstadt was born. The 'Behrens house' was the most expensive of the houses to be built.

Peter Behrens, a self-taught man, only chose to use the most expensive companies to help him bring his vision to life. There are two wonderful wall mosaics for the music room, which were produced by Villeroy & Boch. He gave the grand piano design to the Schiedmayer Pianofortefabrik in Stuttgart because he was impressed by the excellent quality of the work of their craftsmen on other art cased pianos he had seen them make. The piano has the serial number 32345 and was made in 1900 -1901. The musicroom was designed in the symbols of diamond-sun-eagle, inspired by "Thus spoke Zarathustra" by Friedrich Nietzsche. The diamond on the body of the piano, the sun on the notedesk and the wing of an eagle on the top lid.

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Peter Behrens

Peter Behrens was born in Hamburg on April 14, 1868 the son of an estate owner. From 1886 to 1889 he studied painting in Hamburg, as well as in Düsseldorf and Karlsruhe. In 1890, he married Lilly Kramer and moved to Munich. At first, he worked as an artisan painter, illustrator and book-binder. He frequented bohemian circles and was interested in subjects related to the "Reform of Life-Styles". There he founded the "Vereinigte Werkstätten für Kunst und Handwerk" together with Richard Riemerschmidt, Bernhard Pankok, Bruno Paul and others to produce their design work.

In 1899 Behrens accepted the invitation of the Grand-duke Ernst-Ludwig of Hesse to be the second member of his Darmstadt Artists' Colony. There he designed his house, all the furniture, fittings stained glass windows and everything else inside the house even down to the cutlery. This was the turning point in his life. He left the cultural circles of Munich and moved away stylistically from art nouveau towards a sober, more austere style of design.

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